July 14, 2014

Stalking the Wily #!

from Post Position
by @ 9:05 pm

If you’ve been looking for my latest book, #!, and are looking to buy it online, check isbn.nu. At the moment of posting, it’s available from three sellers, one on pre-order. Barnes & Noble is the bookseller with the lowest price and fastest delivery; Amazon.com offers to get it to you 3-4 weeks later.

In Cambridge, I have yet to see the book on shelves, but I know copies are at least on order (if not readied for purchase) at the MIT Press Bookstore and the Harvard Bookstore. And, Grolier Poetry Book Shop also had a few copies.

July 13, 2014

10 PRINT in Clock 52

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by @ 4:29 pm

Clocks are great machines to design, at least from my perspective as a designer of software machines. My classes have had unusual clock design as an exercise; time-telling systems are not interactive, provide a lot of freedom to the designer, and yet require programmers to develop general functions that work for any time of the day. I know that Michael Mateas and Paolo Pedercini have students program clocks, too. I’ve appreciated software clocks by John Maeda and others, and it’s nice to have a clock as a standard example in Processing.

The Facepalm at the End of the Mind

from Post Position
by @ 1:30 pm

I can no longer keep myself from commenting on the Facebook “emotional manipulation” study. Alas. Here are several points.

  • Do you want your money back?
  • Don’t we only know about this study done on 689,003 people because it was written up and reported on in a prestigious journal?
  • Could it be that other studies might have been done, or might be going on right now, or might happen in the future, and we might know nothing about them because their results will be kept as proprietary information?

July 11, 2014

This Interview with Harry Mathews

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by @ 6:52 pm

…is really excellent. Anyone interested in Harry’s work, or, more broadly, the Oulipo, should read it. Thanks, of course, to Barbara Henning for doing the interview and EOAGH for publishing it.

July 6, 2014

The Times Has a Moment with IF

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by @ 8:12 pm

The New York Times has an article (online today, in print tomorrow) entitled “Text Games in a New Era of Stories,” about ye olde interactive fiction and new-fangled manifestations of it, including Ms. Porpentine’s Howling Dogs and Ms. Short’s Blood & Laurels.

(Okay, it must be admitted that even The New York Times didn’t refer to the author of Howling Dogs as “Ms. Porpentine.”)

July 4, 2014

Techsty #9, with Sea and Spar Between in Polish

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by @ 11:42 am

techstyExciting news for Polish-readers (and, I think, others): The new issue of Techsty, number 9, is out. You might think that a “Techsty” is just a place where infopigs like me live, but it’s actually a long-running site (since 2001) on digital literature, with an esteemed journal that has been published since 2003.

July 2, 2014

“Left Cartridge,” a Zine

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by @ 8:23 pm

Everything you need to know to print out and bind a copy of Left Cartridge, a zine documenting the Learning Games Initiative, is online.

July 1, 2014

Digital Media Studies via GIF

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by @ 7:24 pm

Crazy idea? Of course. And yet Zach Whalen has been doing it, quite successfully, on Tumblr. For instance, here’s his brand-aware version of Brion Gysin’s permutation poem:

And his speedrun of Lexia to Perplexia:

Not to mention the excellent staticy CRTs, captured from films and TV, not to mention the exquisite and worth-the-trip Zen for GIF.

June 30, 2014

A Companion Disk for 10 PRINT

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by @ 7:43 pm

A C64 Running the 10 PRINT DiskMartin Schemitsch (a.k.a. Martinland) has compiled and released a disk to accompany our book 10 PRINT CHR$(205.5+RND(1)); : GOTO 10, one that’s full of BASIC and assembly programs. These include the programs in the book and the later, more compact versions of our demo thread. The disk was just released at Commodore-Treffen Graz $14, and of course the disk image is available for download. It’s a nice companion to the 10 PRINT book and a Commodore 64 emulator, although, as you can see, it also works perfectly well on a vintage Commodore 64.

Two Kinds of Bots

from Post Position
by @ 7:35 pm

Following up the excellent ELO conference, Mark Sample offers a post on “Closed Bots and Green Bots” which divides bots in a very compelling, interesting, and productive way.

June 25, 2014

#! is Published

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by @ 9:56 am

Cover of #! (pronounced 'Shebang')

My new book of programs/poems, #! (pronounced “Shebang”), has just been published by Counterpath.

Read all about it on the press’s page for #!.

The book consists of poetic programs and their outputs. The programs in the book are all free software, and in case you don’t want to type them in, the longer ones are all available in my “code” directory.

I hope you’ll get a copy at your local independent bookseller.

Shebang (#!) with wine

#! is Published

from Post Position
by @ 9:56 am

Cover of #! (pronounced 'Shebang')

My new book of programs/poems, #! (pronounced “Shebang”), has just been published by Counterpath.

Read all about it on the press’s page for #!.

The book consists of poetic programs and their outputs. The programs in the book are all free software, and in case you don’t want to type them in, the longer ones are all available in my “code” directory.

I hope you’ll get a copy at your local independent bookseller.

Shebang (#!) with wine

June 23, 2014

Computational Narrative and Games (Special Issue)

from Post Position
by @ 8:39 pm

A special issue of IEEE Transactions on Computational Intelligence and AI in Games (TCIAIG) is now out — I mention it because I was one of the editors, and the issue deals with computational narrative and games.

Here’s the link to the computational narrative and games issue. It was edited by Ian Horswill, Nick Montfort and Michael Young. And here’s what is in it:

">Guest Editorial
Horswill, I.D; Montfort, N; Young, R.M
p 92-96

Social Story Worlds With Comme il Faut
McCoy, J. ; Treanor, M. ; Samuel, B. ; Reed, A.A. ; Mateas, M. ; Wardrip-Fruin, N.

p 97-112

">Versu—A Simulationist Storytelling System
Evans, R. ; Short, E.
p 113-130

June 17, 2014

Thoughts from INT7, Day One

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by @ 2:22 pm

(These pertain to Intelligent Narrative Technologies 7, and specifically today’s presentations. Perhaps, if you’re here, you will laugh. If you aren’t here, my regrets.)

Why do I get a dialog wheel ... but not a combat wheel?

Can a computer program ... get people running?

When is a dragon ... not a dragon?

Why can one be selfish ... but not otherish?

Isn't Blender dangerous enough ... without Curveship attached to it?

June 14, 2014

Waves 3 Ways at @Party

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by @ 11:23 pm

codewiz and I (nom de nom) showed a wild demo at @party yesterday (June 14) at MIT.

It was “Waves 3 Ways (Topsy’s Revenge).” Indeed, there’s video.

Tesla coilThe concept is based on one-line C programs to generate music, the earliest of which were by viznut. I (nom de nom) wrote a C expression in this style to generate a waveform that could be output as sound but
also consisted of all printable ASCII characters. The source is about 1kb, without much effort at compression. And the sound, in addition to driving speakers, can be (and was) connected to a Tesla coil.

June 5, 2014

Trope Tank Annual Report 2013-2014

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by @ 1:38 pm

I direct a lab at MIT called The Trope Tank. This is a lab for research, teaching, and creative production, located in building 14 (where the Hayden Library is also housed), in room 14N-233. Its mission is to develop new poetic practices and new understandings of digital media by focusing on the material, formal, and historical aspects of computation and language.

Trope Tank computers at work

The lab’s website has just been updated with some new information about our two major creative/research projects, Slant and Renderings. Earlier this academic year, a hardware and software catalog of Trope Tank resources was developed by Erik Stayton with contributions from Sylvia Tomayko-Peters.

May 23, 2014

There’s a party — Perverbs.

from Post Position
by @ 1:34 pm

I persist in my quest to develop extremely simple, easily modifiable programs that produce compelling textual output.

My latest project is Modern Perverbs. In a world where nothing is as it seems … two phrases … combine … to make a perverb. That’s about all there is to it. If phrase N is picked from the first list, some phrase that isn’t number N will be picked from the second, to ensure maximum perverbiality. The first phrase also carries the punctuation mark that will be used at the very end. This one is a good bit simpler than even my very simple “exploded sentence” project, Lede.

May 12, 2014

Sounds, User-Input Phrases, and Monkeys in “Taroko Gorge”

from Post Position
by @ 3:25 pm

Check out “Wandering through Taroko Gorge,” a participatory, audio-enabled remix.

As James T. Burling stated on the “projects” page of MAD THEORY:

In this combination of presentation and poetry reading, I’ll present a remix of Nick Monfort’s javascript poetry generator, “Taroko Gorge.” My remix added a musical component using a computers oscilloscope function, and more importantly allows participant-observers to type in answers to prompts which are then added to the poem in real-time. The poem will be available throughout the day, gradually adding all inputs to its total sum. I’ll discuss the process of decoding html and javascript as a non-coder, describe some of my theories on participatory performance using computer interfaces, and raise questions about agency in performance and how a digital artifact can function as a poetic event.

May 8, 2014

Inform Re-ups

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by @ 7:37 pm

There’s a major new release of Inform 7, build 6L02, the first new release of the interactive fiction system in three years.

May 3, 2014

Jill Walker Rettberg, this Monday’s Purple Blurb

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by @ 11:04 am

Purple Blurb

MIT, room 14E-310

Monday 5/5, 5:30pm

Free and open to the public, no reservation required

Jill Walker Rettberg

“Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to Understand Ourselves”

Jill Walker RettbergThis Monday (2014-05-05) the Purple Blurb series of Spring 2014 presentations will conclude with a talk by Jill Walker Rettberg on a pervasive but still not well-understood phenomenon, the types of digital writing, tracking, photography, and media production of other sorts that people do about themselves. Her examples will be drawn from her own work as well as from photobooths, older self-portraits, and entries from others’ diaries.

Jill Walker Rettberg, this Monday’s Purple Blurb

from Post Position
by @ 11:04 am

Purple Blurb

MIT, room 14E-310

Monday 5/5, 5:30pm

Free and open to the public, no reservation required

Jill Walker Rettberg

“Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to Understand Ourselves”

Jill Walker RettbergThis Monday (2014-05-05) the Purple Blurb series of Spring 2014 presentations will conclude with a talk by Jill Walker Rettberg on a pervasive but still not well-understood phenomenon, the types of digital writing, tracking, photography, and media production of other sorts that people do about themselves. Her examples will be drawn from her own work as well as from photobooths, older self-portraits, and entries from others’ diaries.

Jill Walker Rettberg, this Monday’s Purple Blurb

from Post Position
by @ 11:04 am

Purple Blurb

MIT, room 14E-310

Monday 5/5, 5:30pm

Free and open to the public, no reservation required

Jill Walker Rettberg

“Seeing Ourselves Through Technology: How We Use Selfies, Blogs and Wearable Devices to Understand Ourselves”

Jill Walker RettbergThis Monday (2014-05-05) the Purple Blurb series of Spring 2014 presentations will conclude with a talk by Jill Walker Rettberg on a pervasive but still not well-understood phenomenon, the types of digital writing, tracking, photography, and media production of other sorts that people do about themselves. Her examples will be drawn from her own work as well as from photobooths, older self-portraits, and entries from others’ diaries.

April 30, 2014

Slice of Trope

from Post Position
by @ 11:15 am

Slice of MIT, an MIT alumni publication, has an article on my work with poetry and computation. It’s by Kate Hoagland, was written for National Poetry Month, and is an excellent short discussion of several recent projects and some themes in my work and that of my lab, The Trope Tank.

April 29, 2014

Happy 50th to BASIC

from Post Position
by @ 1:42 pm

Dartmouth is celebrating the 50th anniversary of BASIC tomorrow with several events, including the premiere of a documentary on BASIC that I hope to see soon. I teach two classes tomorrow; those and my other meetings will make it impossible for me to stop by, even though Dartmouth is not very far away.

There’s also a celebratory Time article about BASIC, one that is packed with nice photos, scans, and GIFs showing how programs were listed and how they ran. The GIFs include a sped-up one of 10 PRINT running in an emulator, and there’s a link to 10 PRINT CHR$ (205.5 + RND (1)); : GOTO 10, our book (by Nick Montfort, Patsy Baudoin, John Bell, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Casey Reas, Mark Sample, and Noah Vawter).

Gender? I Hardly Know ‘er

from Post Position
by @ 9:19 am

The AWP (Association of Writers & Writing Programs) offers you eleven options on their Web form for indicating your gender. But these are listed in a drop-down box, so you can’t choose more than one.

AWP's gender options

To give a specific example, you can’t choose “male” and “cisgender.”

OPPRESSION!

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