http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/ A group blog about computer narrative, games, poetry, and art. Thu, 30 Sep 2010 22:43:57 +0000 hourly 1 http://wordpress.org/?v=3.1.2 http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/comment-page-1/#comment-206802 andrew Tue, 19 Feb 2008 02:58:11 +0000 http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/#comment-206802 A bit of extra trivia: Oliver Strimpel was the initial director of development at <a href="http://www.zoesis.com" rel="nofollow">Zoesis</a> (an AI-based interactive character startup founded by Joe Bates and crew from the Oz Project). A bit of extra trivia: Oliver Strimpel was the initial director of development at Zoesis (an AI-based interactive character startup founded by Joe Bates and crew from the Oz Project).

]]> http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/comment-page-1/#comment-206773 noah Tue, 19 Feb 2008 00:41:58 +0000 http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/#comment-206773 How frustrating! Any chance you could point me at more details to work into a note? How frustrating! Any chance you could point me at more details to work into a note?

]]> http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/comment-page-1/#comment-206771 scott Tue, 19 Feb 2008 00:26:13 +0000 http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/#comment-206771 program for story there. program for story there.

]]> http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/comment-page-1/#comment-206770 scott Tue, 19 Feb 2008 00:25:20 +0000 http://grandtextauto.org/2008/02/18/ep-51-the-%e2%80%9cmetanovel%e2%80%9d/#comment-206770 This echoes a story I recently heard in France, that an early story generator produced by Jean-Pierre Balpe, which a French library had agreed to archive, remained only in the printed transcriptions of interactions that users had with it. The library charged with preserving it only realized that the printouts were worth preserving, and not the story itself. This echoes a story I recently heard in France, that an early story generator produced by Jean-Pierre Balpe, which a French library had agreed to archive, remained only in the printed transcriptions of interactions that users had with it. The library charged with preserving it only realized that the printouts were worth preserving, and not the story itself.

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