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	<title>Comments on: From Coast to Cradle</title>
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	<link>http://grandtextauto.org/2005/06/19/from-coast-to-cradle/</link>
	<description>A group blog about computer narrative, games, poetry, and art.</description>
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		<title>By: scott</title>
		<link>http://grandtextauto.org/2005/06/19/from-coast-to-cradle/comment-page-1/#comment-62416</link>
		<dc:creator>scott</dc:creator>
		<pubDate>Mon, 20 Jun 2005 04:02:39 +0000</pubDate>
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		<description>I thought that John Asbury was indeed one of southern New Jersey&#039;s, if not the nation&#039;s, leading poets. Like many other attendees, I was blinded by the light of his performance, lost in the flood of somehow more sensible than sublime stretched and bent backwards metaphors. After the reading I bought two of his books and as he put his pen to the page I thought about saying something marginally witty like could I get your John Ashbery, Hancock? or that&#039;s not what I came for, I came for you, for you, I came for you but instead settled for Autograph? I really enjoyed your reading. He is like a spirit in the night, he&#039;s alright. I thought he was particularly good not only during the read but also the Q and A, deftly handling not only the &quot;how do I get rich and famous as a poet?&quot; question (A: You don&#039;t), the &quot;What do you read?&quot; question (A: The key to understanding my work is to read the complete Proust), the &quot;Can I ask a personal question? Are you married and do you have children?&quot; (A: I&#039;m gay but I do have a bibliographer), and the classic &quot;How important is hip-hop to contemporary American poetry?&quot; (A: 50 cent does nothing for me but John Cage is the sheezit.) Incidentally, Ocean City is NOT the Ocean City in John Barth&#039;s &quot;Lost in the Funhouse&quot; and if you order a Coors in O.C. you will not get a poorly brewed beer but a classic American soft-serve cone.</description>
		<content:encoded><![CDATA[<p>I thought that John Asbury was indeed one of southern New Jersey&#8217;s, if not the nation&#8217;s, leading poets. Like many other attendees, I was blinded by the light of his performance, lost in the flood of somehow more sensible than sublime stretched and bent backwards metaphors. After the reading I bought two of his books and as he put his pen to the page I thought about saying something marginally witty like could I get your John Ashbery, Hancock? or that&#8217;s not what I came for, I came for you, for you, I came for you but instead settled for Autograph? I really enjoyed your reading. He is like a spirit in the night, he&#8217;s alright. I thought he was particularly good not only during the read but also the Q and A, deftly handling not only the &#8220;how do I get rich and famous as a poet?&#8221; question (A: You don&#8217;t), the &#8220;What do you read?&#8221; question (A: The key to understanding my work is to read the complete Proust), the &#8220;Can I ask a personal question? Are you married and do you have children?&#8221; (A: I&#8217;m gay but I do have a bibliographer), and the classic &#8220;How important is hip-hop to contemporary American poetry?&#8221; (A: 50 cent does nothing for me but John Cage is the sheezit.) Incidentally, Ocean City is NOT the Ocean City in John Barth&#8217;s &#8220;Lost in the Funhouse&#8221; and if you order a Coors in O.C. you will not get a poorly brewed beer but a classic American soft-serve cone.</p>
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