Grand Text Auto

Well, not quite that many, but 10,000,000 isn’t too shabby…

In this adaptation of Raymond Queneau’s 100,000,000,000,000 Poems, the rules of 10 sports (football, polo, water polo, lacrosse, ice hockey, table tennis, basketball, rugby, the Kirkwall ba’ and beach volleyball) are divided into their constituant elements (duration, playing area, objective, players per team, attire, ball and method of play/restrictions) in such a way that they can be reassembled without contradicting each other.

Utensils in a Landscape, Chris Edwards, Stray Dog Editions, Vagabond Press, 2001

Searching for something suitably disruptive in the landscape of Australia, where Jacket is rooted, I found this. The first poem is made from sometimes misquoted bits of The Book of Common Prayer and Burroughs’s “The Cut-Up Method …” With technical and abstract language, folklore, Mallarmé, and guy-on-guy action, the book offers all sorts of utensil viewing. And later, in “but me,” this reflection:

My project, which began in
one room of the abyss, soon spread toward a perimeter
you can imagine, should you be inclined to do so.

What do American Idol, lonelygirl15, and Invisible Children have in common?

They were all instituted to function based off of mass audience interactions and they all deliver strong and dramatically-compelling narratives.  The idea of interactive preexists video games and virtual worlds, and it’s alway refreshing to go back and examine new ways that interactivity plays out in our world today.

I’m back from a nice slice of summer in Sydney, Australia. I spoke at the University of New South Wales when I was there, gave two talks at the Powerhouse Museum in connection with their “The 80s Are Back” exhibit, and was one of the three judges of the Global Game Jam Sydney. The people who participated in that event did some incredible work – congratulations to all. Here’s some video of me, at the Powerhouse Museum, on interactive fiction and on indie and 80s videogames.

Mauricio Giraldo Arteaga has completed a beta version of his extensive and well-designed Videogame Timeline. He’s also written a blog post about the project, in Spanish. The timeline contains people, technologies, businesses, platforms, accessories, and games and has a mode that shows connections between these items.

Heather Logas only has through tomorrow to make the crowdsourced funding goal for her indie storygame — or all the funding pledged so far is lost. Heather describes the game by saying:

Remember those Choose your own Adventure books you used to love as a kid? The game is a bit like that, if it was the fevered brain child of Carl Jung, Joseph Campbell and H.P Lovecraft.

At UC Santa Cruz, the Digital Arts and New Media MFA program is organized around collaborative research groups. For those applying this year (deadline February 15th) I’ll be leading a group on the theme “Playable Fictions.” This is a great way for writers, game designers, and related sorts of digital media artists to get an MFA while working in the midst of groups dedicated to pushing the boundaries of this field: the EIS lab in particular and also the larger interdisciplinary DANM cohort. We have a great list of faculty to work with here, including Michael Mateas, Warren Sack, Sharon Daniel, Marilyn Walker, Jim Whitehead, Arnav Jhala, yours truly (Noah Wardrip-Fruin), and many more. While most EIS members are CS PhD students, DANM has been a fruitful entry point for artists like Aaron Reed and Mike Treanor. If you’re interested, feel free to contact me with questions about the work we do and/or contact DANM for admissions questions.

EIS PhD student Teale Fristoe spent last summer at Microsoft Research working on Kodu, the exciting new platform for game creation. Now we’re developing a proposal to extend Kodu with support for deeper characters, social situations, and dynamic stories — providing the first high-level computational support for the kinds of games that research shows girls want to create. We’re looking for your input!

Specifically, we’re seeking seed funding through the HASTAC/MacArthur Digital Media and Learning Competition. They’ve just opened the first phase of the competition, which involves public comments on very short (300 word) summaries of the ideas. There are hundreds of them. If you comment on our proposal now you can help us make it better — and also help it stand out from the crowd.

In our director Mary Flanagan’s home state (coincidentally also home to D&D creator Gary Gygax and GenCon), Dungeons & Dragons is not allowed to be played in prison. In a recent New York Times article, prison officials were noted as saying that Dungeons & Dragons could “foster an inmate’s obsession with escaping” his or her incarceration situation. Another great discussion on this situation by Professor Ilya Somin at George Mason at this legal blog.

It is difficult to imagine anything but D&D as a wholesome family activity after this commercial:

The second annual global game jam at UCSC is coming up, kicking off on Friday, January 29th. But even if you aren’t participating in the jam, you should still come by the Simularium at 4:00 pm on Friday to check out the great speakers we have lined up. This year, you’ll get to hear from:

Edmund McMillen (http://edmundm.com/), renown indie game designer

Kate Compton, EA/Maxis technical artist and avid indie game jammer

Alex Neuse, founder of local Santa Cruz game studio Gaijin Games (http://www.gaijingames.com/)

All of the talks should be great, so I hope you can make it!

The Association for Computing Machinery (ACM) is a prestigious professional society serving the interests of academics and professionals with interest in computing, broadly viewed. Within the ACM, Special Interest Groups (SIGs) serve the needs of specific communities of interest by operating conferences, fostering publications, and generally promoting the creation and spread of knowledge about the topic.

Along with the other members of the board of SASDG, I am working on a proposal to the ACM for the creation of a new Special Interest Group on Computer Games, to be known as SIGGAME. We’re looking for potential members.

I attended Super Happy Dev House 36 and presented a lightening talk about the upcoming AIIDE 2010 StarCraft AI Competition. The competition is interesting to the hacker community at Super Happy Dev House, because the Broodwar API enabling the competition is a reverse engineering project providing direct access to game state and units in StarCraft. There are several projects built on top of the Broodwar API which enable developers to write StarCraft AI in a variety of languages including Java, Python, LUA and C#.

As we prepare to publish a photo book of Implementation we have been gathering and tagging new photographs submitted by people around the world at a dedicated Flickr site. We have gotten in hundreds of new photos and the process of using flickr to organize the material has been very interesting. I’ll write more about that process later, but for now I wanted to share this. Along with some others I have been putting Implementation stickers up in Bergen. As I photograph the stickers that people have put up, I have been recording the location information and adding that to flickr. Above is a Google maps/flickr mashup created with iMapFlickr. With this map, you can explore Bergen and explore Implementation. Have fun.

Composer Pauline Oliveros joins us in our weekly variable_d salon via the
Dialogues. In Dialogues, students and members of the community come with ideas, themes, and questions and engage in a teleconferenced discussion of contemporary issues in the work. Past visitors have included Brenda Laurel, The Guerrilla Girls, and Katherine Hayles.

4pm, Jan 26th 2010
Tiltfactor lab

Additional links to Oliveros’ artifacts:
http://www.youtube.com/watch?v=G9GJCL3PpYA
running electric charges through herself
http://www.youtube.com/watch?v=gpJ2JjZhcFI

Pauline Oliveros, composer, performer and humanitarian is an important pioneer in American Music. Acclaimed internationally, for four decades she has explored sound — forging new ground for herself and others.

Please join us in Hanover for an upcoming symposium at Dartmouth College, “Activism in the Electronic Age: The impact of technology on political protest” will examine the recent 2009 Iranian elections and other historic moments of activism involving the use of technology. Tuesday, February 9, 2010 @ 4:30 PM, Location : Haldeman Center, Room 041.

[English follows...]

Mon générateur d’histoires “The Two” est désormais en ligne avec une traduction française, “Les deux” , de Serge Bouchardon. La version anglaise était auparavant disponible en Python. C’était le second de trois générateurs de 1k que j’avais réalisés à la fin de 2008. “Les deux” génère des histoires toutes simples de trois lignes, mais dont l’effet de sens n’est peut-être pas si simple. Les versions anglaise et française sont à présent disponibles en JavaScript et sont ainsi facilement accessibles sur le Web.

Here’s YouTube Doubler proof that letters and the digital can live together.

Also, Steve Reich, eat your heart out. And let it be a dish served cold.

Yes, It’s a Nonsense Word

The lowdown on Zork’s name, inasmuch as a lowdown has been provided in print, was given by authors Dave Lebling, Marc Blank, and Tim Anderson in 1979 in the article “Zork: A Computerized Fantasy Simulation Game,” Computer 12:4, 51-59 (April 1979):

The first version of Zork appeared in June 1977. Interestingly enough, it was never “announced” or “installed” for use, and the name was chosen because it was a widely used nonsense word, like “foobar.”

A Casual Revolution: Reinventing Video Games and Their Players, Jesper Juul, The MIT Press, 2010

Juul’s latest, like his Half-Real, offers many insights, particular and general, while being succinct and clear stylistically. The book is not just about matching tile games, although there’s a good chapter on them and their genealogy. It’s about the moment in the history of videogaming where games overflow their “hardcore” niche and begin to appeal to everyone. Juul describes the stereotypes of casual and hardcore games and players; then he demonstrates, using data from many interviews, exactly how they’re wrong. An important, high-level innovation involves figuring out how to study both games and players – in this case, to understand what exactly is meant by “casual games” and how much of what we associate with that has to do with “causal” modes of play. There’s also an excellent analysis of the social space of play in front of the screen, in Guitar Hero and Wii games. A Casual Revolution will be valuable for academics and those in industry, and will help keep the sun shining on games.

Here are some tiny bits of code to generate some amusement and aesthetic value.

The album sc140 features 22 tracks, each one generated by no more than 140 characters of SuperCollider code. You can download 80 MB of MP3 (for the weak!) or grab the source code (less than 4 KB, with all the formatting) and, if necessary, install SuperCollider, which is free in every sense. Here’s a November New Scientist blog post about the album.

Here are some tiny bits of code to generate some amusement and aesthetic value.

The album sc140 features 22 tracks, each one generated by no more than 140 characters of SuperCollider code. You can download 80 MB of MP3 (for the weak!) or grab the source code (less than 4 KB, with all the formatting) and, if necessary, install SuperCollider, which is free in every sense. Here’s a November New Scientist blog post about the album.

The 2010 Independent Games Festival finalists have been announced. Especially interesting to me are the finalists and honorable mentions for the IGF Nuovo Award, an award intended to “honor abstract, shortform, and unconventional game development which advances the medium and the way we think about games.” My collaborator, Ian Bogost, has a game in the finals: A Slow Year, a suite of four 1k games for one of his, and my, favorite platforms … which means that he’ll be brining an Atari 2600 to GDC this year to display his wares.